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Adventures in Writing, Reading & Book Culture

New Year’s Book Total — 2013 Reads

The year 2013 was good for many things, and books also, but not for total books read. At least, not according to my standards. Lots of reasons can be sited, but none particularly worthy of the let-down. I had time, and while not having wasted it, made use of those minutes and hours for other — equally important — passions: food, travel, writing work, loving, thinking.

Yet I did read some good books in 2013, some of them having big page-counts. The statistics hold up well:

22 books read

7,924 pages

3,317,125 approx. words


So without anymore fanfare nor excuses, her is my list, in chronological order:

Any Human Heart by William Boyd

The English Patient by Michael Ondaatje

Alias Grace by Margaret Atwood

Tunc by Lawrence Durrell

2666 by Roberto Bolano

The Story of Philosophy by Will Durant

Nunquam by Lawrence Durrell

In the Hand of Dante by Nick Tosches

Tender is the Night by F. Scott Fitzgerald

Young Hearts Crying by Richard Yates

The Surgeon of Crowthorne by Simon Winchester

 Gulliver’s Travels by Jonathan Swift

A House for Mr Biswas by V.S. Naipaul

Cordial & Corrosive by Sophie Hannah

Letting Go by Philip Roth

Bleeding Edge by Pynchon (suck!)

Operation Shylock by Philip Roth

The Divine Comedy: Inferno by Dante Aligheri

The Night Train by Carl Purdon

Art & Lies by Jeanette Winterson

Darkness Visible by William Golding

Under the Autumn Star by Knut Hamson

Max, the blind guy by Mark Beyer (pub 2014)


I shan’t give my faves, though you all must understand, I don’t read bad books (ie. anything with vampires, zombies, or sentimental love, and, NO, I am not sorry for that). Please tell me, on FB or in the comments below, what you’ve read, your list, your stats, or just your faves.

Happy New Year!

Where Do Writing Ideas Come From?

In the last week I’ve been asked by friends, fans and family what seems an obvious question (sometimes): “Where do you get your ideas?”

One way to answer this is simply to say what I really think, which is “I DON’T KNOW!” But that’s not exactly an answer, and certainly not polite. I’ve read that some writers formulate a stock answer to this question because, on their book tours and at book fairs (or just sitting down to dinner at a restaurant) they get this question asked of them constantly (often enough from two people in a row, with the second one having been standing right behind the first!); and if you can’t always come up with a unique answer, then say something that sounds good (even unique) but in fact is about as canned as SPAM.

Hemingway didn’t like to talk about nor answer questions regarding his writing, or where ideas came from. He said they (the ideas) were of a mystical nature and to talk about them “was spooky.” On the other side of the spectrum sat Eudora Welty, who seemed to find story just about everywhere, and took dialogue from anyone, and scene that happened before her eyes (at the post office, on the bus, walking through the park). Neither process is unusual.

I lean somewhere tripping toward Welty. One of my answers last week was, “I’m not so sure, but sometimes shit just flies out at me from some place. I catch it and see if it works.” Another answer I needed to temper for the audience: “They’re not so controlled, but I invite the ideas in because I don’t think too hard about the problem.” (In this case, “problem” refers to scene or character or dialogue or imagery that I’ve been thinking about before and LETTING ALONE for a day or so.) I used to say this very line (please follow the canned response) to my fiction writing students at Columbia College Chicago. More than half of them didn’t understand. And I know why.

You see, they lacked imagination, and writers do not lack this key ingredient to finding, seeing, developing, and … fucking drum-roll, please! … FINISHING the story (which is really not the end to the process because then writers rewrite the story numerous times to fill in those spots where imagination hadn’t been slip-sliding its best that day — get it?).

So then, I sit here to ask myself: Where do your writing ideas come from? The answer, for me, must be delivered as a list (in no particular order):

1. Imagination … 2. Life-Love-Death experience … 3. Inspiration … 4. Understanding Human Nature … 5. Misunderstanding Human Nature … 6. Having Been Divorced … 7. Liking People … 8. Not Liking (some) People … 9. Sexual Experience (and continual experimentation — wink-wink!) … 10. An Understanding for How & When & Why People Speak … 11. Tapping into My Dark Fantasies (read this as you may, or dare) … 12. My Love for One Woman … 13. My Sensitivity and Anger Issues … 14. Not Arguing with SOME Inspiration … 15. Noodling with a Scene … 16. Sleep … 17. Dreams … 18. Deep Thought/Memory … 19. Asking Questions of the Character (through the author, of course, because characters DON’T FUCKING SPEAK FOR THEMSELVES!) … 20. Letting the Characters Speak for Themselves


What Beauty is my newest novel, a story of art, obsession and ego. Read an excerpt here. It’s available as an ebook, too.

The Village Wit (2010) is a humorous and sometimes dark odyssey through village life, love’s fall, sexual politics, and that place where memory and modern love intersect. Read an excerpt here. This book is also available as an ebook.