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Adventures in Writing, Reading & Book Culture

For Readers Who Take Risks . . .

I’M PASSIONATE ABOUT FICTION, and all those characters whom I might want to be — or the ones in whose shoes I would never dare to walk. To me, any story worth reading hinges on its characters; they live inside that world we want or we fear, a world we all know in some small way: Life is about POWER: who has the power — who wants power — who has lost their power — who is willing to do anything-everything to get power. So, in fiction! And, I only read authors who take care to bring their characters alive. 

Hello, my name is Mark Beyer. I write novels for readers who take risks.

Readers have discovered that my books track the nuances of “life with experience” — I write real stories about real people. Maybe the kind of people you know, or have heard of, or merely met at a party or (worse, I’m sorry to say) have regretted ever laying eyes on. 

People interested in strong fiction will quickly detect a common purpose among its writers: we work to understand the internal and external characters of men and women in contemporary society. For my stories, I explore what it is to be alive and in lust and in love (or betrayed love) and working and traveling and running away and learning about yourself, trying to forget your past, trying to make a present; and often enough, how these incidents and the feelings they make of us change over time.

My first novel, THE VILLAGE WIT (2010), and the next, WHAT BEAUTY (2012), explore the nexus between art and life, relationships and betrayal, work and diversion. Whether you think a little or a lot about these pairs, they play through portions of our lives on a scale that surpasses the, otherwise, banal moments we might often ascribe to “life”. My new novel, MAX, THE BLIND GUY (June 5, 2015) asks the question, “What holds a man and woman together after 40 years of marriage, co-operative infidelity, and too many painful memories?” The answer IS the story of this American couple, on the road & rails of Europe, for one final trip to savor what they had. The digital version of “Max” will be serialized beginning June 12th … it’s time to bring back the honor of the novel, and allow all the busy readers a chance to enjoy the stories they craves in smaller, manageable chapter-length sizes.

I once lived in middle-America. Now I reside in Europe. It’s a pleasant continent.

My motto is . . . “read, live, write”


Please continue, where you’ll learn what kinds of pages and posts BiblioGrind delivers (and what it doesn’t), and what its purpose is for readers and writers and book-culture enthusiasts. Sometimes there are political essays, and other times essays focused on the visual arts. Allow yourself to scroll down the sidebar and frolic through the various blogs, or jump to a recent post whose title catches your eye, and don’t forget to look through the Books & Bylines pages, where I have lots of archived material, novel excerpts, and visual arts images.

If you wish to follow this blog, please subscribe to the RSS feed, or via email. I write often, at least twice a week, but not on a set schedule, and so getting updates through your reader tracker will help to not waste your valuable time. Enjoy the site and its many page columns:

Writing and photography, music and art — each has an aim. No artist should be so thoroughly focused as to fall into a tunnel vision that leaves out the possibility of influences from what I like to call the all-at-onceness of life. What the creative eye sees in the everyday can be used, if the mind will let it. As I write daily — prose, poetry, essays, and (always, it appears at present) a novel-in-progress — I inevitably find that in the world outside my window there are events, actions, gestures, and overheard conversation that somehow fit with what I’m writing just then. Naturally, I used to distrust such influences, having thought that I was merely looking for anything to help me along. Later, I discovered that I was not alone in how a writer (or any artist) gets involved with their story and sees their world insinuating itself — in a good way — on the story. Eudora Welty spoke of this in her Paris Review interview in 1972:

“Once you’re into a story everything seems to apply—what you overhear on a city bus is exactly what your character would say on the page you’re writing. Wherever you go, you meet part of your story.”

Now, many years later, I can see all life’s bits and pieces as found nuggets, like a squirrel digging beneath snow at mid-winter thaw, and I use them for either inspiration, or for purpose. To enhance an image, fill out a scene, describe the empathic reactions between two lovers, or how a mother unwraps a lollipop for a screaming child on a crowded bus.

Writing has been my passion for more than twenty-five years. I made sure that writing was how I made a living, eventually. All the other stuff have made potent grist for the millstone. Equally so, writing — storytelling — remains my yoke. And this is where my aimlessness is so important: to be ready when that word, the active image, the gesture, a death by any other name, creates story and drives inspiration.

I have had the great privilege of being allowed at key moments in my life to speak my thoughts to a public forum. Along the way people have also been kind enough to let me into their lives for a short time so I could get their story. On you’ll find a selection of my archival journalism, new and in-print fiction, wordplay games, and blogs — lots of blogs: on writing, living, book culture, and loving; working, playing, and sleeping through the rough patches.

“The Letters of Mark Beyer” collects my thoughts on The Writing Life, the Publishing World, and lots of how-tos and tips and advice about the writing craft, including ways to create and sustain character, scene, place, and story in the novel. No, I don’t write short stories. And, yes, I write literary fiction, otherwise known as “the strong stuff” that says as much as need be said in a given book about life, love, sex, betrayal, friendship, and work. It’s urban realism, and we all (or mostly all) live in something far less likely to happen than in my books. That includes myself. Which is why I read 40+ books each year.

“A Commonplace Book” is a collection of not-so-random words of wisdom — short-short excerpts of writing that entice, intrigue, madden, amuse, inspire, and turn on. I’ve found these little gems in novels, poetry, essays, and even other blogs. I chose each so that I could remember them; I remember them because have them now.

“Food for Thought” has singly posted photographs to encourage a writer’s inspiration for what their characters eat, how that food looks and tastes and feels. As I say in the first post, “Olives w/Martini” … “Characters must eat in stories, just as humans eat in life. What your characters eat (and drink) can say a lot about them. Sometimes, everything a reader needs to know.”

“Ways of Seeing” is my short essay blog. I have things to say about art, literature, music, culture, the web, news, and sports, to name a few. When I say “short essay” I mean column length. You’ll be surprised to learn how much thought can be packed into 750 words!

Also, take a reading-walk through the excerpt pages at “author Mark Beyer: read … live … write” As always, a special thanks to Lia Gallegos for her cover designs for all three of my books.

If my writing interests you, please tell others; if you find my work can suit your editorial needs, please contact me for contributor writing assignments: mark [at sign] bibliogrind [dot] com to negotiate article commissions or commentary syndication. And why not STAY IN TOUCH.

And so: let me tell you a story . . .

1 Comment »

  bonalibro wrote @ March 20th, 2012 at 3:13 am

No comments yet.

Do I ever know that feeling. Occasional traffic. Little feedback. That’s the way it goes.

Saw you on NYRB. Liked what you had to say. Thought I would click through. See what you are up to.

Like your choice of books and the way you blog them. Short blurb and pithy quote.

Adding disqus comment system might help attract more comments. It also keeps a record of comments you write elsewhere on disqus. is great for attracting readers.

Pay me visit. Keep in touch.

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